+ Heads for Tales - led by Ben & Mary (29/06/2010 - 23:27:05)
+ Community Storytelling (16/06/2010 - 13:11:52)
+ One story leads to another .... (08/06/2010 - 18:38:36)
One of the group had a brain wave for a new game called 'Head's for Tales' and everyone else was happy to give it a go. So someone starts a tale and when they have told enough they flip a coin and if it’s heads something good happens in the story or if tails, something bad. Then the next person takes up the tale and when they have told enough they flip the coin. 'Head's for Tales' – a fun game of free form storytelling that really gets the imagination going.
So we had the story of Shy Jack with the amazing singing voice and his competition with nasty Nigel the Tax inspector.
Followed by an old man who goes on a very strange journey with a collection of animal friends.
We then experimented with some different rules and outcomes.
Some also had a story they wanted to try or tell. It’s strange. You can read a story, you can hear a story but you only know if it really works and how it feels when you tell it yourself to appreciative ears.
Mary told the beautiful story of Two Shepherds, which comes from the West of Ireland. An amazing story which sticks in the brain with some great images and no moral.
Wooden Frock was told by Maggie. Another one of Calvino's weird and wonderful Italian tales. A long story that needs good concentration to tell.
And rapping it all up was Chris with the story of the Strange Dream. Although when the poor hero of the story wakes up I think it was more of a nightmare.
Just a reminder that our last meeting before the summer break is 20th July.
We begin again on 14th September. In the Autumn season we will have some storytelling master classes led by professional storyteller June Peters. More details to come.
Next Week: More fun and games
Five of us present – Chris, Mary, Maggie, Deirdre and Tony.
Discussed the forthcoming storytelling session at
Well Parish news and exciting details of forthcoming events were dealt with as quick as possible so we could get on with some storytelling.
We kicked off with Deirdre telling her version of our 'tell it and pass it on story' the Little Island. It’s really great to hear the same story told over and over, evolving as it goes. Will we ever agree on what the end should be? Come along and find out.
Now as is often the case one story leads to another and the story of the Little Island reminded Debbie (great to see you back) of a Japanese story that she had been told while she was in Indonesia, The Golden Sea. It had resonance with the Little Island and after Debbie had told it, it resonated with the whole group.
And
then we were really going with Chris and the Mouse Princess, a couple of true
stories from Tom and Claire. Followed by Ben reworking an old tale to fit a new
situation and giving it some local colour. Anne told us a wonderful story of
Scottish Kelpies (which are water spirits that take the form
of horses and like to drown their riders! Not to be confused with an Australian breed of
sheep dog that has pointed ears!!). And it was all wrapped up by Tony telling
the Hunting of Death a Rwandan tale.
Wow after that we all went home and slept soundly dreaming of other worlds and other lives.
We kicked of with trying to come up with the Top Ten children’s stories that a teller really should know and inevitably we couldn’t agree and came up with a longer list than ten. Here it is – in no particular order:
And then some more stories:
Vanessa told the Calvino story ‘Mr Crocodile’ and gave it a bit of local colour. It was a good chance to run through a new story that she was telling to a group of 8 year olds the next day.
We got physical! How much should we use our bodies in telling? How can we use gesture to greater effect? And an experiment in storytelling to help us do this!
Well once
we got going it was another lively night. I must find a better word than lively
otherwise I'm doomed to repeat it every week.
So first we had a discussion about Gestures, what they are and if we should or need to use
them, did I say discussion perhaps I should say a debate! We then considered
Descriptive & Emphatic gestures and how we should think about how we can
fit them naturally to our own style. And then after Tea and bickys we had a
bash at 'Shadow' telling. Hum what's that?
So we had
Mary tell a great version of the 'Emperor's New Clothes' – what a great story
this is, you might think that everybody knows it, but it really stands up in
the telling. Great. Maggie did the story of the 'King March' with some real use
of shadow and Tony gave us the 'Gold Coins' which was his usual expansive self.
Watching the shadows did make me wonder what it would be like for a real performance and how much you could do with it. I wonder if anyone will take up the challenge?
Next Week:
Stories on the Theme of Trees. Bring one along and share it with the
group. Story that is not a tree! Mind
you we have been known to share rhubarb on a Tuesday night. In more ways than one.
Oh and don't forget an object to donate to the story bag.
A night of
just good old random storytelling and story chatter. Amongst the tales, we
heard from Tony an Italian folk tale ‘Quack Quack!’ Stick to my back! A story about a very strange duck. A Chinese
story from Ben - ‘The Jar’. An Urban legend in the form of the ‘Cat in the
safe’ from Tom and to round it up from Deirdre a Duncan Williamson story of the
Seal folk of Ireland - “Mary and The Seal”. A nice relaxing evening of stories.
Great fun.
Well what a
lively night looking at how varying our Pitch, Pace & Power can help to
bring a story alive. The alternative of course is to keep an even pitch
throughout the sentence, which at best sounds odd and at worst dull, boring or
confusing. We all modulate our voice naturally while we are speaking to fit the
mood or emotion of what we are saying. However put an audience in front of us
and nerves and anxiety can take over draining our voice of its life and spark,
modulation puts the life in. The ‘Devil’s Breeches’ story from Italo Calvino
gave us a chance to analyse what parts of a story call for modulation and then
to have a go at using some of the techniques we discussed. Great to see engaged
and ready to have a go.
‘The Devil’s Breeches’ gave us all an introduction to the Italian folk tales collected by Italo Calvino.
Italo Calvino: One of the most inventive of European writers and a master of allegorical fantasy, Calvino was born in
Italian Folktales: Meticulously selected and artfully recreated, the selection of stories in Italian is vast and ranges geographically from
This is a really interesting collection of folk tales, better, some would say, than the brothers Grimms'. The flavour of raw, hard peasant life comes through on every page, and very little imagination is needed to transport you back to 17th century taverns where story-tellers spellbound their listeners with these even more ancient stories of ogres, bandits, princes, witches, priests, kings and thieves. Some are ghost stories, meant to curdle the blood, while others are cheery tales of youngest daughters outwitting the bandits and marrying the prince that would charm any child. Some are witty, knowing tales of corrupt priests, or bandits competing with each other for title of best thief. They are all deeply moral, if sometimes heavy on the retribution and revenge. These are earthy, funny, tragic, witty tales which have not been "tidied up", censored for sex or violence, or otherwise bowdlerized.
Next Week: Modulation and the use of our voice.